HamOnt

Céline Sciamma continues to prove herself as one of the most accomplished and unpredictable contemporary French filmmakers with her follow up to PORTRAIT OF A LADY ON FIRE, the uniquely emotional, PETITE MAMAN.

Reeling from the unexpected death of her husband, Beth (Rebecca Hall) is left alone in the lakeside home he built for her. She tries as best she can to keep it together -- but then nightmares come. Disturbing visions of a presence in the house calling to her, beckoning her with a ghostly allure.

Paul Verhoeven’s adaptation of Philip K. Dick’s short story 'We Can Remember It for You Wholesale' is like RoboCop played at hyper-speed, with its themes of corporate control, memory, and identity delivered in an even faster, funnier, and (thanks to Rob Bottin’s impressively icky makeup effects) gorier package.

Poking around in a church cellar, a priest (Donald Pleasence) finds an otherworldly vial filled with slime. Frightened, he brings his discovery to a circle of top scholars and scientists, who eventually learn that the strange liquid is the essence of Satan. The slime then begins to seep out, turning some of the academics into zombified killers.