“Ridley Scott's Blade Runner has seen five major iterations, from a 1982 work print used for test screenings through a 2007 cut released to theaters as "The Final Cut."
"To make a movie so bad it's good you need vision, drive, luck and obsessive vanity. Fortuitiously Tommy Wiseau appears to possess all of these qualities, combined with a total lack of acting talent." - The Guardian
“Tommy Wiseau’s The Room may be the first true successor to the Rocky Horror throne. Wiseau's Johnny is the noblest of boyfriends and most capable of lovers. But none of that satisfies his fiancée Lisa, a wicked Jezebel whose boredom with Johnny manifests in a brazen affair with his best friend.
One night only! "Rarely have on-screen teens felt this authentic. They bluster, bicker and trade horrible insults, then suddenly expose their most guarded feelings." - Newsday
“The classic 80s film, The Breakfast Club strands five archetypal teenagers — played by Emilio Estevez, Anthony Michael Hall, Judd Nelson, Molly Ringwald and Ally Sheedy — in a high school library for an all-day detention session. Left to their own devices, the kids move beyond an initial hostility to work through their anxieties with frankness and mutual recognition.
“If John Hughes, Heathers, and their teen-comedy disciples are to be believed, adolescents develop a sense of hierarchy and social order long before they start to question their place in it, which is why conformity and cruelty tend to go hand-in-hand in the upper grades. The acrid bubblegum satire Mean Girls isn't content to accept this caste system as a given.
"To make a movie so bad it's good you need vision, drive, luck and obsessive vanity. Fortuitiously Tommy Wiseau appears to possess all of these qualities, combined with a total lack of acting talent." - The Guardian
“Tommy Wiseau’s The Room may be the first true successor to the Rocky Horror throne. Wiseau's Johnny is the noblest of boyfriends and most capable of lovers. But none of that satisfies his fiancée Lisa, a wicked Jezebel whose boredom with Johnny manifests in a brazen affair with his best friend.
“Travis Bickle drives cabs all night. He can't sleep. But what he sees whilst cruising the NY city streets he finds so disgusting that it drives him to a climactic moment of violence, which some may deem equally disgusting.
“On the surface, Amy Heckerling’s 90s spin on Jane Austen’s novel Emma appears to be merely another frothy coming-of-age flick. Scratch below the shiny exterior, though, and what emerges is something altogether more clever, as much a sharp, satirical parody of the affluent as it is hip, sassy entertainment dressed in designer labels.
Hal Ashby's eccentric dark comedy. A classic of early 70s American cinema, with a superlative Cat Stevens' soundtrack.
“To call Harold (Bud Cort) a strange and troubled soul would be an understatement. He’s faked his own gruesome death more than a dozen times and spends his spare time hanging out at strangers’ funerals. Maude (Ruth Gordon) is a free-spirit entering the twilight of her life.
"A warm and silly fairy-tale, played with giddy delight by all concerned and directed with a rich vein of humour by Rob Reiner; a satire on fairy-tales and fairy-telling; and a sly attack on Hollywood’s tendency to ignore the simple beauty of storytelling. The Princess Bride is all these things, a film all about the telling of tales.