Documentary

SAMSARA is a nonverbal, guided meditation that will transform viewers in countries around the world, as they are swept along a journey of the soul. Through powerful images pristinely photographed in 70mm and a dynamic music score, the film illuminates the links between humanity and the rest of the nature, showing how our life cycle mirrors the rhythm of the planet.

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~~ The Tuesday October 9th, 9:10pm screening of Kumare will be introduced, jointly, by Jason Neelis, a Religion and Culture faculty member and Merin Shobhana Xavier, a doctoral student in the joint Laurier-Waterloo PhD program in Religious Studies.

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“In the 1973 horror classic Don’t Look Now, Venice played itself as a soggy ghost town. Now Andreas Pichler’s sobering documentary The Venice Syndrome confirms the great city is haunted, alright – by its own impossibly glamorous legacy of gorgeous girls and gondoliers.

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Director Patrick Reed will be appearing at the May 8, 7:00pm screening! Q&A to follow screening.

Advance tickets for the closing night screening now available on Eventbrite

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“For Gregory Crewdson, whose painstakingly constructed images seem to yearn for some impossible human connection, melancholy is integral to his vision. Director Ben Shapiro accompanied Mr. Crewdson from 2005-9The photographs have a theatrical resonance that Mr. Shapiro sees no need to embellish.

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“Charismatic, imperious and quick-witted, Diana Vreeland ruled in the world of couture and cutting-edge culture for more than 50 years as the editor of Harper's Bazaar, then Vogue.

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CO-PRESENTED BY WORDS WORTH BOOKS

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This is more than a mere documentary of the history of political activism at the University of California at Berkeley; it’s an oral history of a struggle (the good and the bad and the downright foolish) that has never gone away, but has merely metamorphosed over time into different forms. It’s as relevant today as ever.

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“Shawney Cohen calls himself a filmmaker, but he’s actually been a strip club manager for longer. When he was six years old his father bought “The Manor,” a strip club attached to a seedy 32-room motel in Guelph, Ontario. Years later, his father has seen his weight balloon to 400 pounds, while his mother struggles to survive at 85 pounds.

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The stand-up comedian is a special breed, both an artist and an artisan. They work by painstakingly developing a persona, scripting and editing an act, and revising it on the spot to suit the energy of a given audience. If the audience does not grasp the countless hours crafting the routine, and the empathic micro-calculations, then the act was a success... well, as long as it was funny.

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