Waterloo

Blanco (Bardem) initially appears to be a kindly, if bland, owner of a factory. ‘Don’t treat me like a boss’, he gestures to his employees. But behind the genial façade lies a selfish profiteer. Blanco is all smiles for a visiting journalist and is intent on keeping morale up so he can win a government award.

Two of Hong Kong cinema’s most iconic leading men, Tony Leung and Andy Lau, face off in the breathtaking thriller that revitalized the city-state’s twenty-first-century film industry, launched a blockbuster franchise, and inspired Martin Scorsese’s The Departed.

Here is a children's film made for the world we should live in, rather than the one we occupy. A film with no villains. No fight scenes. No evil adults. No fighting between the two kids. No scary monsters. No darkness before the dawn. A world that is benign. A world where if you meet a strange towering creature in the forest, you curl up on its tummy and have a nap.

Farzaneh spots her husband, Jalal, entering an unknown woman's house. When she confronts Jalal, he claims he wasn't in town. Jalal decides to check out the house for himself and meets a woman named Bita, who is the spitting image of Farzaneh.